Amelie+Analysis+(Director) 

__**Amelié Analysis (Director)**__

Prop: Photo (Collection) The photos was a symbolic prop in the film, it links Amelié and Nino together. The photos assembles creates a huge twist in the plot later on when both characters find out the the picture Nino has been collecting was from the man the repairs the photo booth. The photo collections generally led the film towards the climax of both characters meeting.

Setting: The sex shop This creates juxtaposition between the innocent Amelie and Nino. I found this interesting because Amelie and Nino are both innocent people, but when Amelia goes into the shop she is terrified and shocked, while when Nino is in there he is just relaxed and seems use to it. This is also where Amelie found a major clue about Nino. The setting is generally symbolic and juxtaposing.

Costumes: Generally the director was able to reflect the social status of each characters by their costume. The old man down across Amelie's apartment that likes to paint generally wore a huge jacket that seems old, which indicates that the old men was in his house forever, never leaving the house. He is isolated from society and is as old as his jacket. Amelia wore elegant, bright, and cute cloths. It represents a typical romantic france style of clothing. Indicating that Amelia is naive, fun, imaginative, romantic.