In+the+Style+of+Stanley+Kubrick

{2}Close ups are usually of a person’s primal emotion || {1}Tracking Bill Hartford from behind while is walking inside his ex-patient’s house {2}A Closeup of Redmond || {1}Eyes Wide Shut {2}Barry Lyndon || {1}I will use many tracking shots when recording people {2}Take closeups of character’s faces || Also will use lamps when appropriate || {2}Use of existing classic or jazz pieces and make them fit well into the film {3}No dialogue {4}Pure silence or only ambient noise || {1}Bill Hartford turns off the music player that played the introduction music of Eyes Wide Shut. During the party, the jazz band plays “Strangers in the Night” {2}Alex plays Ludwig Van Beethoven’s 9th Symphony on his tape player {3}Redmond Barry is sitting there listening to his wife play piano {4}Humbert is driving in his car and there is no other noise than the car || {1}Eyes Wide Shut {2}A Clockwork Orange {3}Barry Lyndon {4}Lolita || {1}I will include diegetic music, showing how I can turn the music on or off, or that the character is affected by the music. {2}I will edit in classical music in places where I find appropriate {3}I can film shots that have no dialog and take out sound from some shots that may have dialog and fill it with either silence, ambient noise, or music {4}I can film shots without dialog and has only ambience || {2}30-100 take before deciding on the take because by the then the actors would be tired and reveal their true essence. || {1}Redmond Barry and Bill Hartford are not very talkative, and perhaps even a little shy {2}Alex scream in pain during the brainwashing sequence. What we see on screen is the real emotion rather than an actor pretending. || {1}Barry Lyndon Eyes Wide Shut {2}A Clockwork Orange || {1}Either I have my actor not talk much and look eerie, or I just perform {2}If the actors are not fully performing, I will keep taking the shot until it seems real rather than acting || {2}Man vs. Machine || {1}Alex thinks about violence and sex. He likes to be recognized by peers, his gang members {2}The United States Government tries what they could to stop the doomsday device from activating, and they are trying to work around the rigid system that they devised to do that || {1}A Clockwork Orange {2}Dr.Strangelove or: How I Learned to Stop Worrying and Love the Bomb || {1}I can incorporate the theme into the plot in the form of the character observing people that are perhaps playing sports, people that are being romantic with each other, and people talking over prices computer parts, external keyboards, and gaming mice {2}I can include this in the plot as the character vs computer usage addiction ||
 * Stanley Kubrick makes Ryan Chong’s Memory || Techniques & iconic examples that the director is known for || Example || Film || How will I emulate this in my film ||
 * Cinematography || {1}Extended tracking shots
 * Editing || Holding particular shots for an extended period of time || Bill Hartford’s face is held for an extended period of time when he was reading his news paper. || Eyes Wide Shut || For conversation shots, I will film these using only one or two angles. With less angle variation, I just use mostly a master shot for the scenes ||
 * Lighting || On screen lights || Candlelit shots at dining tables. Sunlight lit shots in grand halls || Barry Lyndon || Film during the daytime using sunlight as my source of light
 * Sound || {1}Diegetic music
 * Mise-en-scene || Euclidian Shapes || The War Room: The room itself is a triangular prism. The table in the middle of the room is a perfect circle || Dr.Strangelove or: How I Learned to Stop Worrying and Love the Bomb || I will incorporate these euclidean shapes into shots and makes sure that these shapes stand out in the shot ||
 * Performance || {1}Main characters are quiet people, and talks in a soft voice when talking
 * Theme || {1}Portrays the three bases elements of human nature such as the desire for sex, material property, and recognition
 * Directing || Kubrick is known to in one instance to not have a screenplay because they all were not good to use, and instead stuck to using the book as the screenplay, improvising and experimenting with things along the way. || In A Clockwork Orange, both Kubrick’s screenplay and the one he requested from the original author were not used in favor of using the book itself || A Clockwork Orange || If all is hell with the screenplay and script, I will just stick to what I wrote as a story and improvise things along the way. ||