Chart+it-+Paul+Thomas+Anderson

that your director would be known for || Example || Film || How can you emulate this in your film? || Camera movement || Opening scene Pool Party || Boogie Nights || Camera moves from restaurant window, to window above the stairs, to the entrance of the second floor Zoom out from the bathroom door, pan across tables at restaurant, stop at table with Jack, Julia, Stanley and Emily. || Boogie Nights || The entirety of Magnolia, Eddie Adams gets beaten up/ Jack beats up frat boy || Might intercut between people talking at the table and Eddie and Emily in the bathroom || Tom Cruise freaks out || Magnolia || Eddie in the bathroom, washing up Probably cold, blue, low key lighting OR saturated green/yellow lighting, like the darkroom scene in The Master || Non-diegetic music ||
 * || Techniques & Iconic Examples
 * Cinematography || Long takes
 * Editing || Intercutting || Magnolia
 * Lighting || Hard lighting to emphasize emotional instability || Julianne Moore freaks out at the drugstore
 * Sound || Scores composed by Johnny Greenwood

"Wise Up", "Slow Boat to China" || The Master Magnolia, The Master || Amy's ringtone will be something memorable from one of PTA's films Probably will use stuff by Jonny Greenwood || Eddie Adams on Amber Waves' lap, at the end of Boogie Nights || Barry and Cynthia in Hawaii || Punch-Drunk Love || Shot where Emily enters the bathroom with Eddie standing directly opposite her. Eddie and Emily in the bathroom, sitting across from each other against the wall Eddie's head on Emily's lap, at the end of the film ||
 * Mise-en-scene || Characters standing directly opposite each other, shot in profile
 * Performance || I need Philip Seymour Hoffman

Characters who talk really fast || Sound guy, nurse, mattress man, master || Every single film excluding Hard Eight and There Will Be Blood || NOPE - People at the table will talk really fast Eddie will appear emotionally unstable and deeply conflicted || Checklist 1. One really long, elaborately orchestrated tracking shot 2. Something that shouldn't work in theory, but works. Like Adam Sandler. 3. Deeply disturbed, emotionally unstable protagonist 4. Something to do with drugs or substance abuse. 5. Someone singing or some other form of diegetic music 6. Someone with really nice cheekbones, or prominent cheekbones 7. Two characters that are outwardly opposing but turn out to be inherently similar. Like Daniel Plainview and Eli Sunday. 8. Daddy issues, or some representation of a dysfunctional family 9. Someone talking really fast 10. Something that shouldn't happen in real life, but is still plausible. Like frogs falling from the sky